Rather than try and explain why I picked them, I will instead attempt to describe something in each work. Jeff Smith has cut a lot of the New Beverly’s monthly previews and to me, they’re pure video essays, on a pure pop-level. I cannot choose among the works of Dayna but I feel particularly connected to this one because I cannot separate it from all the conversations we had around it. Here is a beautiful artist and thinker driving at high speed to where video essays usually do not dare to go. Who would have thought that an essay film on blockchain and artificial intelligence could be so intimate and touching? Čákanyová achieves it through a catalogue of experimental techniques that turn photochemical as well as digital images into emblems of an indistinct future in which we yet have to find our place.
Blockchain and NFT Domains
This year, his work explored Indian culture, international art cinema, and philosophy. His creative, intelligent, and funny videos deserve a much larger audience. This video essay ventures into uncharted territory, pairing the audio from the beginning of films with the closing images, creating an extraordinary mosaic of sound and visuals. The result is an auditory and visual tapestry that defies conventional expectations. It’s a seamless blend of the familiar and the unexpected, challenging our perception of film narratives. By all means this is the major project in videographic criticism of the year – or I should say of the last three years, since FFW, the first one (I believe) was produced in 2020.
“chaste/unchaste,” Tafakory’s contribution to the ‘Feminist Videographic Diptych’ special issue of inTransition, is no exception. The use of uncanny repetition and graphic matches is both mesmerising and agitating, familiarising and defamiliarising, grounding and destabilising. And as always, I’m stunned by the quantity of films Tafakory uses to create the illusion of effortless coherent cohesion. Another great piece from Binotto’s Practices of Viewing series – one that I referred to as an “anti video essay” when I first saw it.
AI networking chip startup nEye Systems secures $58m funding
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- The video is a supercut of female faces (plus one big cat and a gas hob) made from thirty-two Iranian films.
- The experience of watching Ahoy attempt a perfect replication of a digital illustration from 1985 somehow captures the energy of a 21st-century sculptor attempting to re-carve Michelangelo’s David.
Published in Feminist Media Histories, “Joséphine Baker Watches Herself” by Terri Francis shows the added value of videographic criticism to more conventional academic work. It does the work viewers normally do when watching and assessing video essays. Ten years later, she is ready to settle the score with this film in the form of a video essay.
As interesting as the essay’s script is, the viewer’s eye Robert AI will inevitably slip to the endless stream of meaningless attention-grabbing clips – just as Alexandre intended, I imagine. A portrait of Tito’s official cameraman Stevan Labudović, this feature-length essay film exhumes previously unseen archival footage from the 1961 Belgrade conference to explore the birth of the Non-Aligned Movement. A personal, feature-length essay film about Death Valley and its importance to the history of cinema as well as its longstanding resonance with the filmmaker. Kremer has admirably unearthed many underground and lesser known works that were filmed in this desert and included them here, to my delight. Kremer’s playful juxtapositions between the two main films is humorous and well-edited. Yazdandoost’s video, exploring the use of the arbitrary motion of fur in Wes Anderson’s Isle of Dogs and other stop-motion films, is an absolute treat, start to finish.